Computerization of sound architecture

Category
  • Audio visuals geometry

    In 1996 December issue of wired magazine, Neal Stephenson wrote an article in the magazine. The "mother earth mother board" He is an American Science fiction author from the early 90s.   https://www.wired.com/1996/12/ffglass/

    As the light goes out with Neal Stephenson's uses on why is the analogy of fibre optics, the usage of Internet that congest and travels around the globe in unison if not comparing to the knowing how packages on the Internet carried through out the world but not knowing the fuel tanks of gasolines in cars are need to be refuelled.

    There's nothing infinite about resources on this planet, the finite of energy and the art object of infinity could be used to compare the world of art and science Fiction. Since the 1950s removed from process into the age of computer Science and technology System. It is fashionable to say these days we have Cybernetics and willing to turn practice to a "Form of Arts and crafts," and behave creatively, but with only a single vision staring back into the mirror. We do not see ourselves able to look much further into the future when it just looking back at us. Since every piece of music created today only ephemeral with our constant upgrade for the computer servers I thought  it is responsible to talk about metaphoric Space time concept. I'm afraid to say Technology is not the bell curve is shouldn't be a bell curve because it shapes more like what we have plan for ourselves in this economics and even the word technology is a resonance in techno music function.

     We might get past the stage of digital and domains web browsing but not from the information age could have plans for the human race. Seeing information in this context, the assumption is we find adaptation through stories in both films and visuals but not getting longer in time-duration because we're only getting closer to the tools we have in content creation to use technology to make manifestation on group paradox or I call this economy of familiar. Any time in objectivity is the contextualise network from another set of datum Renaissance Impact us to no longer conceptualise as a form of artist's personality instead of the avant garde.

     

  • polyrytmi (a word in Finnish) polyrhythm

    Notice that the subject of creating the prototype from extrusion and the science in cooling and heating by choosing the right material to generate enough energy and design metaphysic to go through the processing of creating a generalised artwork from aa 10 years research yet the writing architecture in geomaterial and parametric structure is always a bit of a random access.

    Create a music metaphor from the digitalisation from processing in the open source hardware to take the step of primitive design and forms through visualisation of computerised music and y wish to take that into development is a must to use "form follow function" or can it be vice versa....

    In the step taking the realism as a structuralism or accelerationism are in suitable order of French formalising manners?

    Far from knowing the simple formation or transformation in the mathematic world of codebased milieu or the art of Parametricism in Architectural Design.

    In any form of notations the echo of sound, reflection of macro noise index for an identity in  from retro-movement in a latter sense of Asian growing those mega structure and high density of human populations or even in the design system for human's universal design system.

  • Live Lost Session (LLS)

    The Cut-up process by far a non-definitive technique. The choices are by spatial mode and work as a complete piece of sound, and by ignoring on that level to only focus on the sound is a turning point in vicissitude. And in act of an imitation of core complexity - off the wall.

    The EP is designed for use as information of ambient acute sound that will accompanied any layers of percussion track or individualized spatial nodes. In visual, when the programme, like a DAW are cutting away from the main units of temporal sequence, a layer could create a bass track or drum effect to position with another drum sequence. Without the need to further understand the structural whole and the uniquely placement of this elemental soundtrack, the node are by transition effects. The only other reason to speed up or slow down the principle track to apply visual to another spatial bridge layer via sequencing.

    My audiolization for create a medium of sound for the visual is by far unmapped otherwise sampled with the temporal of the beat selector.

  • Project: Re-code Programme AQUILO

    Project: Re-code Programme AQUILO

    The Cut-up process by far a non-definitive technique. The choices are by spatial mode and work as a complete piece of sound, and by ignoring on that level to only focus on the sound is a turning point in vicissitude. And in act of an imitation of core complexity - off the wall.

    The EP is designed for use as information of ambient acute sound that will accompanied any layers of percussion track or individualized spatial nodes. In visual, when the programme, like a DAW are cutting away from the main units of temporal sequence, a layer could create a bass track or drum effect to position with another drum sequence. Without the need to further understand the structural whole and the uniquely placement of this elemental soundtrack, the node are by transition effects. The only other reason to speed up or slow down the principle track to apply visual to another spatial bridge layer via sequencing.

    My audiolization for create a medium of sound for the visual is by far unmapped otherwise sampled with the temporal of the beat selector.

  • Open System in Sound for Linux

    In any form of notations the echo of sound, reflection of noisenessless by identification from retro-movement in a latter sense of Asian growing those mega structures and high density of human populations. This Experimentation works in to the mindless defunct of the idea when we can no longer function unaccept the experimentation of representation of a strategic system of surface seeing, almost if you have been leveling upon the higher plateau of a budding building within a highly dream like struncture of architectural manifestation of Stanton Warriors and David Bowie ambient disco influences.

    **Even if the cut up technics is instead division of spatial parts and equal as a processing piece like flow of information, the level of whitenoise is turn in to Visual Blocks, act as an immitation on the core complexity, when sound is design via a complete piece of information and briefly accompanied a layer of percussion when individualized spatial nodes move between virtual visuality the programme should recognized the cut-away main units of composition sequence and the smokemachine will display an element of visual change via an immersive bassline sequence. Without having to further understand the structural whole I cannot yet give the uniquely identity placement in an elementary soundtracks, but these nodes or EECT(Electronic Experimental Computer Technique) are the architecture of preconception. Open sound Architecture is a link towards the new environment from starting to learn about computer system and music.